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Joel of Far Outliers has posted another excerpt from Lingo: Around Europe in Sixty Languages, by Gaston Dorren (see this LH post), this time about Slavic dialects, or rather the lack of significant dialects in all languages but one:

Whether they’re from the Baltic port of Kaliningrad or from Vladivostok on the Sea of Japan, there’s little difference in the way Russians speak. In Poland, the same holds true: North Poles and South Poles can chat away effortlessly to each other, as can West and East Poles. Even people speaking different Slavic languages can often communicate without much trouble. Bulgarians can converse with Macedonians, Czechs with Slovaks, and Russians with Belarusians and Ukrainians. And, for all their political differences, there is no great language barrier between Croats, Bosnians, Serbs and Montenegrins. In fact, as the eminent nineteenth-century Slovak scholar Ján Kollár suggested, the Slavic world could, with no great effort on the part of its citizens, adopt just four standard languages: Russian, Polish, Czechoslovak and, lastly, what you might call Yugoslav or South Slavic.

There is one language, however, that wouldn’t so easily be absorbed into Kollár’s scheme: Slovene, also known as Slovenian. Admittedly, this is the language of a very small nation. Its entire territory fits no fewer than twelve times into the area of the UK (which is itself not large) and the population, at just over two million, is just a quarter of that of London. And yet, when Slovenes speak their local dialects, many of their compatriots can make neither head nor tail of what they are saying. So just imagine how these dialects would bewilder the members of some of the other nations that Kollár lumped together as ‘South Slavic’, such as the Bulgarians.

How come? Why does Russian span more than four thousand miles from west to east with next to nothing in the way of dialect diversity, whereas the Slovene language area, measuring just two hundred miles from end to end, is a veritable smorgasbord of regional varieties?

A good question!

I was looking for something else (as I usually am) when I found my old copy of The Pleasures of Anthropology, edited by Morris Freilich; I opened it curiously and realized it’s one of the many books I bought because it looked interesting and never got around to reading. Naturally I turned to the section Human Communication, and was immediately drawn to “How to Ask for a Drink in Subanun,” by Charles O. Frake (American Anthropologist 66.6, Part 2 [Dec. 1964]: 127-132); the first couple of paragraphs are thought-provoking enough I thought I’d reproduce them here:

WARD GOODENOUGH (1957) has proposed that a description of a culture — an ethnography — should properly specify what it is that a stranger to a society would have to know in order appropriately to perform any role in any scene staged by the society. If an ethnographer of Subanun culture were to take this notion seriously, one of the most crucial sets of instructions to provide would be that specifying how to ask for a drink. Anyone who cannot perform this operation successfully will be automatically excluded from the stage upon which some of the most dramatic scenes of Subanun life are performed.

To ask appropriately for a drink among the Subanun it is not enough to know how to construct a grammatical utterance in Subanun translatable in English as a request for a drink. Rendering such an utterance might elicit praise for one’s fluency in Subanun, but it probably would not get one a drink. To speak appropriately it is not enough to speak grammatically or even sensibly (in fact some speech settings may require the uttering of nonsense as is the case with the semantic-reversal type of speech play common in the Philippines. See Conklin 1959). Our stranger requires more than a grammar and a lexicon; he needs what Hymes (1962) has called an ethnography of speaking: a specification of what kinds of things to say in what message forms to what kinds of people in what kinds of situations. Of course an ethnography of speaking cannot provide rules specifying exactly what message to select in a given situation. If messages were perfectly predictable from a knowledge of the culture, there would be little point in saying anything. But when a person selects a message, he does so from a set of appropriate alternatives. The task of an ethnographer of speaking is to specify what the appropriate alternatives are in a given situation and what the consequences are of selecting one alternative over another.

Ward Goodenough was an important anthropologist; I note with bemusement that that Wikipedia article gives one pronunciation in IPA and a different one in the respelling of his (superb) surname, and someone who knows which is correct should fix it. The Subanon (Wikipedia’s preferred spelling) live in the Zamboanga peninsula area of Mindanao Island, Philippines; they speak, obviously, the Subanon language. And Stan Carey’s recent post The Speech Community seems relevant.

Eric A. Powell, online editor at Archeology, reports on an attempt to combine archaeology and historical linguistics:

Around 4,000 years ago, on the steppes north of the Black Sea, a nomadic people began settling down in small communities. Known today as the Timber Grave Culture, these people left behind more than 1,000 sites. One of them is called Krasnosamarskoe, and Hartwick College archaeologist David Anthony had big expectations for it when he started digging there in the late 1990s. Anthony hoped that by excavating the site he might learn why people in this region first began to establish permanent households. But he and his team have since discovered that Krasnosamarskoe has a much different story to tell. They found that the site held the remains of dozens of butchered dogs and wolves—vastly more than at any comparable site.

Anthony and his wife, archaeologist Dorcas Brown, who are interested in combining linguistic and mythological evidence with archaeological evidence, searched the literature on Indo-European ceremonies, and Brown “found that historical linguists and mythologists have long linked dog sacrifice to an important ancient Indo-European tradition, the roving youthful war band”:
[Read more…]

New York Review Books has sent me a review copy of Kolyma Stories by Varlam Shalamov, newly translated by Donald Rayfield. The publisher’s page accurately calls the collection “a masterpiece of twentieth-century literature”; Solzhenitsyn himself famously wrote “Shalamov’s experience in the camps was longer and more bitter than my own…I respectfully confess that to him and not me it was given to touch those depths of bestiality and despair toward which life in the camps dragged us all,” and if you have any interest in the Gulag, in how people react to the extremes of experience, or simply in great writing, you should try Shalamov, and this is part of the first complete edition in English: “This is the first of two volumes (the second to appear in 2019) that together will constitute the first complete English translation of Shalamov’s stories and the only one to be based on the authorized Russian text.” In short, this is a must-read.

Having said that, I’ll discuss the translation, comparing it both to the original and to the previous English version translated by John Glad (Penguin 1980, rev. ed. 1994). The first thing to note is that the Penguin has far fewer stories, and the stories are often cut; whether the cuts are the translator’s choice or reflect the then available Russian text, I don’t know, but it’s an unfortunate fact that emphasizes even more the importance of the new version. Furthermore, Glad makes too many errors and poor choices; in Сухим пайком [“Dry Rations” in Glad, “Field Rations” in Rayfield], for instance, he calls Butyrka “Butyr Prison,” has “fruits” for ягоды ‘berries,’ and renders положительному ‘positive’ as “decent.” When the narrator’s coworker Savelev starts fantasizing about a future neither of them believes in, he begins “Помечтаем,” which Rayfield correctly renders “let’s dream a bit”; Glad has “Just imagine,” which simply doesn’t work in this context. I don’t want to overemphasize this — every translation has errors, and I don’t understand Rayfield’s “standard” for заветный in “заветный мешочек,” which Glad renders “a small cherished bag” — but Glad seems to have more than the necessary minimum.
[Read more…]

A very interesting BBC Future piece on language loss by Sophie Hardach:

“The minute you start learning another language, the two systems start to compete with each other,” says Monika Schmid, a linguist at the University of Essex.

Schmid is a leading researcher of language attrition, a growing field of research that looks at what makes us lose our mother tongue. In children, the phenomenon is somewhat easier to explain since their brains are generally more flexible and adaptable. Until the age of about 12, a person’s language skills are relatively vulnerable to change. Studies on international adoptees have found that even nine-year-olds can almost completely forget their first language when they are removed from their country of birth.

But in adults, the first language is unlikely to disappear entirely except in extreme circumstances.

For example, Schmid analysed the German of elderly German-Jewish wartime refugees in the UK and the US. The main factor that influenced their language skills wasn’t how long they had been abroad or how old they were when they left. It was how much trauma they had experienced as victims of Nazi persecution. Those who left Germany in the early days of the regime, before the worst atrocities, tended to speak better German – despite having been abroad the longest. Those who left later, after the 1938 pogrom known as Reichskristallnacht, tended to speak German with difficulty or not at all. […]

Such dramatic loss is an exception. In most migrants, the native language more or less coexists with the new language. How well that first language is maintained has a lot to do with innate talent: people who are generally good at languages tend to be better at preserving their mother tongue, regardless of how long they have been away.

But native fluency is also strongly linked to how we manage the different languages in our brain. “The fundamental difference between a monolingual and bilingual brain is that when you become bilingual, you have to add some kind of control module that allows you to switch,” Schmid says. […]

Mingling with other native speakers actually can make things worse, since there’s little incentive to stick to one language if you know that both will be understood. The result is often a linguistic hybrid.

There’s lots more good stuff there (like Cubans in Miami starting to speak more like Colombians or Mexicans), and I had personal experience with some of it, like losing my early Japanese when we left the country (though fortunately not with traumatic loss). Thanks, Trevor!

Anatoly Vorobey posted a poem by Du Fu (aka Tu Fu), 漫成二首, in the original and five translations, one in Russian (excellent, by Alexander Gitovich) and four in English. I love that sort of comparison; here are my two favorites among the English renderings:

On the Spur of the Moment, II

River slopes, already midmonth of spring;
under the blossoms, bright mornings again.
I look up, eager to watch the birds;
turn my head, answering what I took for a call.
Reading books, I skip the hard parts;
faced with wine, I keep my cup filled.
These days I’ve gotten to know the old man of Emei.
He understand this idleness that is my true nature.

(translated by Burton Watson, The Selected Poems of Du Fu, 2002)

Haphazard Compositions, II

On the river floodplain it is already mid-spring,
under the flowers once again a clear morning.
I raise my face, avid to watch the birds,
I turn my head, mistakenly to answer someone.
When I read, I pass over the hard words,
with ale before me, full pots are frequent.
Recently I’ve gotten to know an old fellow from Emei,
he understands that my indolence is my true nature.

(translated by Stephen Owen, The Poetry of Du Fu, 2016)

The last translation, by Edna Worthley Underwood and Chi Hwang Chu, is horrible; for one thing, Emei (aka O Mei) is one of the Four Sacred Mountains of China (and a favorite name for Sichuanese restaurants), not the name of a hermit, for crying out loud.

Davide Castelvecchi writes for Nature about a subject dear to the heart of this old science fiction fan, what is sometimes called xenolinguistics:

Sheri Wells-Jensen is fascinated by languages no one has ever heard — those that might be spoken by aliens. Last week, the linguist co-hosted a day-long workshop on this field of research, which sits at the boundary of astrobiology and linguistics.

The meeting, at a conference of the US National Space Society in Los Angeles, California, was organized by Messaging Extraterrestrial Intelligence (METI). METI, which is funded by private donors, organizes the transmission of messages to other star systems. The effort is complementary to SETI (Search for Extraterrestrial Intelligence), which aims to detect messages from alien civilizations.

There follows an interview with Wells-Jensen, which of course touches on the recent movie Arrival (see this LH post), but I want to feature this interesting exchange:

What was discussed at the conference?

The piece that was underpinning everything there, I think, was the extent to which human language is innate. If language has a necessary innate piece, then two civilizations might have a good chance of understanding each other: that was the Chomskian approach represented in some of the papers presented at the conference. Others expressed the sense that third factors — body shape, what your planet is like — would have more to do with language and that little has to be innate. If that is so, then we’d have a better chance of understanding aliens that are similar to us than of understanding those that aren’t.

Needless to say, I am firmly on the anti-Chomsky side. Thanks, Trevor!

A few years ago I did a post on the slang word kibosh, and Stephen Goranson added the following comment last October:

Published this month:
Origin of Kibosh: Routledge Studies in Etymology
by Gerald Cohen, Stephen Goranson, and Matthew Little.

Now he has been kind enough to have a copy sent to me, and it’s a wonderful little book — I wish there could be such a volume for every word with an interesting etymology. It starts, admirably, by presenting the basic thesis (it’s from kurbash ‘a long whip made of hippopotamus or rhinoceros hide’) and summarizing the evidence; the bulk of the book consists of detailed accounts of the history of the word and of the attempts to provide an etymology. These paragraphs from the Overview will give the basic idea:

The earliest previously noticed attestation of kibosh is from 1836—in Cockney speech—and the new antedatings of ca. 1830–1835, while only a few years older, are highly significant. They bring important evidence in favor of kibosh < kurbash and also confirm the early presence of kibosh in Cockney speech.

The most important antedating, spotted by Goranson, is the ca. 1830 kibosh in the broadside Penal Servitude!, an apparently humorous poem supposedly written by a convict returning from Australia. The writer not only provides the earliest attestation thus far for kibosh, but is likely also responsible for the entrance of kibosh into British speech. If we assume (and this seems reasonable) that his poem had popularity in the lower strata of British society, we would have the explanation for how kibosh was acquired (or at the very least, popularized) there.

Here is the crucial quatrain from the broadside:

There is one little dodge I am thinking,
That would put your profession all to smash,
It would put on the kibosh like winking,
That is if they was to introduce the lash.

The next step in the development is described on p. 3:

So kibosh was evidently introduced to British speech by the poem Penal Servitude!, but it was not yet widely known. Unless something happened to change this situation, kibosh would remain restricted to the lower echelons of British society or fade into oblivion, as so many other slang items did. But something did happen. An unlikely, unheralded, and unwitting lexical hero emerged: a Cockney chimney sweep, hauled into court in 1834 with his companion for violating the 1834 Chimney Sweepers Act, had an outburst of frustration and anger after the trial. That outburst—delivered in an unmistakable Cockney dialect—contained a blast against ‘the Vigs’ (Whigs) and the sweep used the new expression put the kibosh on. The London Standard article reporting on the trial was widely reprinted in England, and now people all over country were reading about putting the kibosh on the ‘Vigs.’ In particular, people engaged in political discourse picked up the expression. Put the kibosh on was of humble origin, but the people doing the kiboshing were politically significant: the Duke of Wellington, MP William Ingilby, and no less a personage than the British King. Put the kibosh on was now taking root in British speech.

There are plenty of illustrations, including one of the broadside itself (of which only a single copy survives). And the primary author of the book is Gerald Cohen, whose journal Comments on Etymology I wrote about here (it’s only on paper, not available on the Internet); you could hardly ask for a more authoritative scholar. The book is pricey (it almost goes without saying), but see if your library has it; it’s well worth perusing if you have any interest in the word.

I’m on Chapter 3 of Part 3 of Crime and Punishment; Raskolnikov is explaining to his mother that he has given away twenty-five rubles that she and his sister had sent him, because he had encountered a family so poverty-stricken they would have had nothing to eat and would have been thrown out on the street if he hadn’t helped them. He admits that he had no right to squander the money they had scraped together with such effort, and ends his little speech by saying that you shouldn’t help people unless you have a right to — otherwise “Crevez, chiens, si vous n’êtes pas contents!”

Of the two translations I have, Sidney Monas simply repeats the French, while Pevear and Volokhonsky provide a translation in a footnote: “Drop dead, dogs, if you don’t like it!” (My Soviet edition also provides nothing but a translation.) They do not, however, appear to be aware that it is a quote from an extremely famous novel. Google Books tells me that Sarah J. Young’s translation identifies it as such (“A near quotation from Victor Hugo’s novel Les Misérables“), but says no more. Only Oliver Ready’s version (praised highly by Boris Dralyuk; see this LH post) gives important context in its footnote:

Crevez, chiens, si vous n’étes pas contents!: “Drop dead, dogs, if you aren’t satisfied!” (French): an almost exact quotation from Victor Hugo’s novel Les Misérables, which Dostoyevsky read on its appearance in 1862. See Book Eight, Chapter Four (“A Rose in Misery’), in which the young student, Marius, receives a visit from the young and appallingly emaciated daughter of his neighbour Jondrette. In the course of their conversation, she tells him: ‘Do you know what it will mean if we get a breakfast today? It will mean that we shall have had our breakfast of the day before yesterday, our breakfast of yesterday, our dinner of to-day, and all that at once, and this morning. Come! Parbleu! if you are not satisfied, dogs, burst!’ (trans. Isabel Hapgood).

But even this omits the vital fact of what follows when Marius realizes how much worse off than he the Jondrettes are:

By dint of searching and ransacking his pockets, Marius had finally collected five francs sixteen sous. This was all he owned in the world for the moment. “At all events,” he thought, “there is my dinner for to-day, and to-morrow we will see.” He kept the sixteen sous, and handed the five francs to the young girl.

This is, of course, an exact parallel to what Raskolnikov has done, and I provide it here for the benefit of readers of the novel, which (I am realizing all over again) is damn good.

I can’t resist pointing out that the egregious P&V, in an earlier footnote, refer to G. H. Lewes’s The Physiology of Common Life as “The Physiology of Everyday Life.” No cookies for you!

If I ever knew this striking etymology, I’d forgotten it:

macabre
[…]
French, from (danse) macabre dance of death, from Middle French (danse de) Macabré

We trace the origins of macabre to the name of the Book of Maccabees which is included in the Roman Catholic and Eastern Orthodox canons of the Old Testament and in the Protestant Apocrypha. Sections of this biblical text address both the deaths of faithful people asked to renounce their religion and the manner in which the dead should be properly commemorated. The latter includes a discussion of praying for the souls of the dead, which was important in the development of the notion of purgatory and a happy afterlife for those persecuted for their religion. In medieval France, representations of these passages were performed as a procession or dance which became known as the “dance of death” or “dance Maccabee,” which was spelled in several different ways, including danse macabre.

In English, macabre was originally used in reference to this “dance of death” and then gradually became used more broadly, referring to anything grim or gruesome. It has come to be used as a synonym of horrible or distressing, always with a connection to the physical aspects of death and suffering.

I think I’ll start a brand-new peeve, insisting that since it’s from Macabré the only correct way to pronounce it is “mac-a-BRAY.”